You can zoom and navigate through the file very easily. You can directly see where the action is happening and all channels have a level meter. You can save different batch processing steps and quickly open them. You can see the three actions in the picture below and nearly all the batch processing possibilities. So these are the two most important batch processing steps we always use for our latest releases. All this information needs to be deleted to make space for our metadata. Sometimes markers are placed by a program. #Twistedwave mac pro#Pro Tools, iZotope RX and many others leave traces. The first thing is to erase all previous embedded infos, like the metadata that is written into the file by several programs. When the content of the library is complete, meaning all files are ready to be shipped, there are some last steps they go through. Why we use TwistedWave for our BOOM Libraries: Furthermore you can add metadata to several other file formats like MP3 or AIFF for example. But as we have implemented the metadata in several other common fields that are displayed very well you will be fine using the given Music and BWAV information. The reason is the encryption that Soundminer uses. Luckily you can see the metadata you wrote and saved in TwistedWave in Soundminer v4. The metadata of our BOOM Library SFX were embedded with Soundminer v4 and TwistedWave is only capable of reading Soundminer v3 metadata. Unfortunately the Soundminer tab is empty. Every field is editable so you can add your info to the file. If you open a WAVE file you will have access to BWAV tab and Soundminer. Thanks for spreading the word about this very powerful, but easy to use tool.You have three tabs with different types of metadata. The only problem with TW is that some voice actors report "feeling guilty" because it seems too easy. And, nothing says "I am a former radio announcer" than using Adobe Audition! Both Digi and Adobe are huge resource hogs that make everything unnecessarily complicated. Pro Tools is just the wrong tool for the job. If Twisted Wave went out of production, I would get out of the business. One of the most important ways TW makes my workflow efficient is with the customizable keyboard shortcuts, which I have mapped to single keys. This plug-in is moderately priced ($249) and may be the only one you need. There are a bunch of them that are installed with iTunes.īut for folks just getting to know how plugins work, may I suggest a wonderful all -in-one plugin designed for voice tracks: I personally refuse to buy any plugins that require use of a hardware "dongle". Actually, TW just uses whatever plugins you have installed. #Twistedwave mac how to#I made some suggestions about how to make it even better for voice talent, and Thomas (the developer, a German who lives in Paris) communicate frequently. Nothing was quite there, until I found Twisted Wave. #Twistedwave mac mac os#You exaggerate my contributions to the development of Twisted Wave!Īfter making the move to the mac os a few years ago, I tried literally every mac audio editor in existence, looking to replicate the easy wave form navigation of Sony Sound Forge.
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